Priming the Cultural Aesthetics of Bioethics
Bioarts Ethical Advisory Komission (BEAK) was established to provide artistic oversight and ethical assessment for bioart applications. We provide professional bioartist aesthetics consulting, bioart historian expert opinions, and science technology studies styled critical bioethics analysis that reviews the Legal, Ethical, Societal and Libidinal implications (LESLi) of novel Life Science applications as bioart. This includes research and development as well as issues in installation, exhibition and humane sacrifice. Assessments are made on a product, process and project basis through artistic risk versus artistic benefit analysis.
BEAK is exploring the role of aesthetic breadth through Bioart, bioart history, and science technology wet life science creative cultural criticism. Covering biosafety, recombinant safety, animal and other non-human or semi-human care and use as well as housing and enrichment for bioart projects.
#bioart #bioethics #beak #legal #bioethics #libido
Dr. Pilar is an interdisciplinary artist and scholar who creates performances, digital and electronic installations, workshops, and experimental public talks utilizing various technologies.
Pilar's projects have traveled widely to spaces that include SIGGRAPH; Vancouver's LIVE BIENNALE; Gothenberg's Museum of World Culture; MUAC in Mexico City; Toronto's OCAD and McLuhan Center for Culture and Technology; San Francisco's MOMA, Center for the Arts at Yerba Buena (BAN5), and SFAI; the Oakland Museum of California, MOCA in Los Angeles; Grace Performance Space and the Kitchen in New York; Galeria Studio Cerrillo in San Cristobal de las Casas, and many more.
She has a PhD from UC Davis, studied Intermedia Arts at Mills College, is a 2025-2028 HUMAN (Humanities Understanding of the Machine-Assisted Nexus) Fellow, board member emeritus of WEAD, and teaches Critical Theory at CCA. More at https://www.prabapilar.com
Dr. Zaretsky is a Wet-Lab Art Practitioner mixing Ecology, Biotechnology, Non-human Relations, Body Performance and Gastronomy.
Zaretsky stages lively, hands-on bioart production labs based on topics such as: foreign species invasion (pure/impure), radical food science (edible/inedible), jazz bioinformatics (code/flesh), tissue culture (undead/semi-alive), transgenic design issues (traits/desires), interactive ethology (person/machine/non-human) and physiology (performance/stress).
His art practice focuses on an array of legal, ethical, social and libidinal implications of biotechnological materials and methods with a focus on transgenic humans.
Zaretsky has a PhD from RPI, and is an External Partner, Visiting Professor Department of Audio and Visual Arts - Didactics of Bioart. More at
https://avarts.ionio.gr/mares/en/teaching-staff/
Ciclón L.T. Olivares is a transmedia storyteller and scholar, and the founder of Sin Kabeza Productions (Headless Productions) and SK Symbiotic, research platforms developed across diverse media and in communication with both organic and inorganic life-forms within and beyond the technosphere.
Olivares is pursuing a doctoral degree in the History of Consciousness Department at UCSC, and is a graduate of the Whitney Museum Independent Study Program in Critical Studies, Peking University, and Vassar College.
Olivares has received the Fulbright, Andrew Mellon, Jacob K. Javits, Jane Dealy Wirsig, McGuire, Hemispheric Institute, and NYU Provost Fellowship for Academic Diversity.
Olivares teaches at Pratt Institute, more at
https://www.pratt.edu/people/ciclon-olivares/
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Bioart Ethical Advisory Kommission